Susan Sontag

A brilliant, clear-eyed consideration of the visual representation of violence in our culture—its ubiquity, meanings, and effects.

Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war?

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"A new collection of Susan Sontag's essays about women, edited by David Rieff and introduced by Merve Emre"--

"The novel is a narrative of the suffering of Dalton 'Diddy' Harron, told through his own observations. He works in advertising for a microscope manufacturer, is thirty-three and divorced and a month ago tried to commit suicide. The haphazard events of his life, including killing a railway worker and falling in love with a blind girl, are brought to us through the lens of Diddy's own mind. We follow him through his journey to justify his actions and...

A love story set in Naples in 1772 and based on the romantic entanglements of Lord and Lady Hamilton and Lord Nelson.

Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. This collection gathers sixteen essays and addresses written in the last years of Sontag's life, when her work was being honored on the international stage, which reflect on the personally liberating nature of...

With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to...

A second volume of journals shares intimate reflections on the writer's artistic and political development during a trip to Hanoi at the peak of the Vietnam War and throughout her film-making years in Sweden before the dawn of the Reagan era.